Netflix Graced By Two More Disney Classics

As the wonderful Frozen sets box office records in theaters, Netflix has added more Disney magic to the home viewing world with the arrivals of The Sword in the Stone and Robin Hood. I was asleep at the switch when these two classics appeared last week: Many thanks to Josie Becker for alerting me to these welcome additions to the Netflix streaming lineup!

Both these films feature great character animation, and The Sword in the Stone is one of my very favorite Disney movies. What a great pair to watch beside a crackling fireplace this winter!

Frozen Review: A Home Run for Disney Animation

Full of surprises, intense emotions, dazzling art and terrific music, Frozen is Disney's best non-Pixar animated film in ages. The studio publicists have been advertising it as their best movie since The Lion King, and I agree; Disney hasn't produced such a powerful, crowd-pleasing and memorable film since that 1994 hit.

Lilo and Kuzco Arrive on Netflix

The Netflix library of Disney classics just got a great dose of later-era comedy. Lilo and Stitch and The Emperor's New Groove have arrived for instant streaming.

Two of the best-received films of Disney's post-Lion King hand-drawn lineup, they certainly seem to belong together in one release. Both are extremely funny, sharply directed, and much-loved by fans of all ages. The Emperor's New Groove is one of the most-quotable films Disney's ever released. Lilo and Stitch, despite the company's later over-exposure of the little alien, remains an incredibly original and imaginative story (its directors would go on to create the best Dreamworks film ever: How to Train Your Dragon).

It's good to see these two added to the streaming mix, they're the perfect films to watch on a brisk nearly-autumn evening!

Condor Flats Needs More Personality. Planes, Anyone?

An unusual new Disney animated film is nearly upon us (the first non-Pixar feature film set in a Pixar world), and--no surprise--the Planes merchandise has landed ahead of the movie to begin the ballyhoo.

As usual for the Cars franchise, the little collectible die-cast characters are slickly packaged, and I love the backdrop for Skipper (shown above), as it looks like a ready-made Imagineering pitch for an upgrade to DCA's airstrip-themed Condor Flats.

This area, of course, holds the gigantic hangar-shaped show building for Soarin', the only real reason anyone ventures into Condor Flats. This land needs another ride and a big boost in the personality department.

It's got an appealing theme, and I love the ramshackle airstrip buildings on the Grizzly Peak side.

Perhaps, however, it's time to get rid of the giant rocket jet mist-blaster (which is an eyesore even when it's working) and really add some more charm (and much more shade) to the whole zone. I know I'm not the first blogger to point out that this would be a fantastic photo-op location for meeting the cast of Planes.

Any chance of the film's mythical Propwash Junction coming to life here in any form depends, I'm sure, on the movie's box office take. With or without the Planes crew, however, DCA's Condor Flats needs to become a truly beautiful and memorable destination, and not just the place you hurry through on your way to Soarin'.

Underappreciated Disney Characters Part 2

Welcome back to our ongoing tribute to Disney's most overlooked supporting players. Last week, we focused on Col. Hathi and Alice's Horn Ducks. Today, we've got another unjustly ignored pair of troupers.

JOANNA

Bursting onto the scene in The Rescuers Down Under, Joanna the goanna (I used to think she was a komodo dragon) is the funniest villain sidekick in Disney history. She doesn't speak a word, but her brilliant animation will delight you--and make your skin crawl at the same time.

She's incredibly important to the film, because this movie's villain, McLeach, is one of Disney's most hateful and frightening scumbags. There's no way to lighten up an eagle-killing kidnapper who thinks nothing of tossing a human child to crocodiles. Enter Joanna, who--even though she's on McLeach's side--provides some welcome comedy during the film's darkest moments.

APPEARANCES OUTSIDE THE FILM: None

Joanna has pretty much vanished in the company's eye, and that's Disney's loss. Can you imagine how many Joanna plush or rubber lizards they could sell every day in Adventureland? How about a Joanna hat? And wouldn't she be a natural at Disney's Animal Kingdom? By the way, if you've never seen the excellent Rescuers Down Under, it's streaming on Netflix right now!

Next up, we've got man's--and woman's--best friend...

BRUNO

This image captures my favorite moment in Disney's Cinderella. Look at it from Bruno the dog's perspective:

1) He's just been through a humiliating night as a human.

2) He had to hike home after Cindy forgot the one thing the Fairy Godmother told her to remember.

3) His well-deserved slumber is now rudely interrupted by over-caffeinated birds who only serve to remind him that Cinderella never sewed any clothes for him, oh no sirree.
 
Everything--Cinderella's future, Gus-Gus's life, the fate of the Kingdom--depends on how quickly he can wake up. And, once he does snap out of dreamland, he delivers justice like only a true-blue dog can do. Bruno is the real hero of this film. Okay, the mice get some credit, too.

The moral of Disney's Cinderella has nothing to do with wishes or magic: If you're nice to people, you increase the odds that, someday, your friends just might come through for you when you need them most. All that's summed up perfectly in Bruno.

APPEARANCES OUTSIDE THE FILM: Rare

Bruno's gotten the occasional merchandising nod: I once owned a fun little PVC statuette of the ol' hound. Being a dog has its advantages when it comes to product potential. Of course, there's also the two video sequels, but the less said about them the better.

Join us next time for part 3. In the meantime, who are your favorite underappreciated Disney toons?

Netflix adds Mulan and The Hunchback of Notre Dame

In a very solid, welcome little update to their increasingly-awesome library of streaming Disney films, Netflix has just added Mulan and The Hunchback of Notre Dame, both excellent productions well worth seeing.

And...oh, yeah...they also added the direct-to-video sequel Mulan II. We all remember Mulan II, right? Anyone?

Bit by bit, the Netflix digital Disney catalog is becoming very impressive. Check out our updated Disney on Netflix page for the full list of available classic animated films.

Underappreciated Disney Characters Part 1

At Mouse Troop, we love offbeat Disney Music, oddball park details, and--perhaps most of all--under-appreciated Disney characters! In part one of a threatened series, we're paying tribute to the best supporting players from two Disney classics. First up:

 COLONEL HATHI

Likes: Marching
Dislikes: Man-cubs

Voiced by the amazing J. Pat O'Malley (who also applied his perfect Stuffy-Elder-British-Officer impersonation to Alice in Wonderland and 101 Dalmations), Col. Hathi turns a minor plot moment in The Jungle Book into one of the funniest sequences in Disney filmdom. There's a nice bit of depth to this potentially one-note characterization: Beneath his gruff, loud exterior, Hathi cares very much about his young son. We also get the impression that, deep down inside, Hathi is well aware that he'd be helpless without the common sense input from his wife, Winifred.

APPEARANCES OUTSIDE THE FILM:

Col. Hathi once roamed the parks with Mowgli, long ago. He used to appear in occasional parades, and was last seen doing a soft-shoe (with his twin) in a Goofy dream sequence in Disney's Twelve Days of Christmas. Somewhat out of character, but that's show biz.

 THE HORN DUCKS

Like: Quality Family Time
Dislike: Being Trodden On

The Horn Ducks of Alice in Wonderland look so perfectly natural that it's truly a shame they don't exist in the real world. One of the most endearing species of Tulgey Wood, they express themselves quite well--and raucously--without speaking a word.

APPEARANCES OUTSIDE THE FILM

The Horn Ducks can be briefly glimpsed on Disneyland's Alice in Wonderland dark ride (don't blink!) and at Alice's Curious Labyrinth in Disneyland Paris.

Review: The Mouse Goes Mobile in Where's My Mickey?

This could be a case where I enjoy a game more than the TV source it's based on. Aside from the fresh, fun art style, I'm not a big fan of what I've seen so far of the new Mickey Mouse cartoons coming to the Disney Channel. I'm hoping future installments are more charming and less mean-spirited, because I love the new visual approach.

 

Those snappy character designs and art direction have been incorporated into the mostly-excellent mobile game Where's My Mickey? now available for iPhone and Android. Despite one very inappropriate, unfunny, nasty and out-of-character sight gag in one of the game's chapters (more on that later), this is a fun, clever upgrade of the popular Where's My Water? series--which was top-notch to begin with

Netflix Adds Brother Bear 2

Disney's direct-to-video sequel, Brother Bear 2 has arrived on Netflix.

After the recent flood of great classic Disney animation onto the digital streaming service, today's addition certainly seems anticlimactic all by its lonesome, but it's better than nothing. At least I hope it is...I haven't seen it yet. But--hey--It's gotta be better than Cinderella 2.

Classic Disney Channel Memories: The Wind in the Willows

Britain's other Fab Four

In its early years, The Disney Channel was the classiest thing on cable, and it sported a lineup of amazing shows the entire family could enjoy together. There was Five Mile Creek, the sprawling tale of Australia's first stagecoach line. The much-loved Avonlea continued the Anne of Green Gables saga. And then there was The Wind in the Willows, the most elaborate, literate and wonderfully acted stop-motion animated series ever to grace the tube.

Toad disrupts dinner and annoys Badger...again.

Produced by Cosgrove Hall (of Danger Mouse fame), this funny, gentle and sometimes heartbreaking show followed the lives of Toad, Mole, Rat and Badger after the events of the famous novel (and the Disney film. And Mr. Toad's Wild Ride).

Netflix Adds Five Disney Children's Series

I wish I had more exciting Netflix news for animation fans this month, but the streaming service has added no classic Disney films in the last several weeks. For younger viewers, however, four popular Disney pre-school shows and an action series for older children are arriving this month.

The two most recent shows on that short list are the fist to arrive--In fact, they're available now. Jake and the Never Land Pirates, the At-Least-It's-Not-As-Bad-As-Little-Einsteins preschool show and Tron Uprising, an action series for older children, are ready for viewing.

Later this month, the service will add the cheerful Handy Manny, the Someone-Please-Tell-Disney-That-Adult-James-Bond-References-Do-Not-Make-Appropriate-Preschool-Show-Episode-Titles awfulness of Special Agent Oso and the classic claymation Jo Jo's Circus.

Again, I wish I had more exciting news to report for older Disney fans, but I'm willing to cut Netflix some slack, for their current Disney selection has a decent number of great classics.

I wonder, though: Does anyone at Netflix realize how many subscribers they'd instantly gain if they added shows like Ducktales and Talespin to the roster?

Atlantis Surfaces on Netflix

Netflix has just added Atlantis: The Lost Empire to its lineup of Disney films available for digital streaming.

Released in 2001, Atlantis has quite a bit in common with Treasure Planet (also on Netflix): It's a non-musical, straightforward science fiction/fantasy adventure about a fatherless young man on a quest to make a name for himself.

Also, like Treasure Planet, this film is greatly under-appreciated. If you've never seen Atlantis, now's your chance to embark on a terrific adventure that unfolds like an animated spiritual successor to live-action Disney adventures such as 20,000 Leagues Under The Sea and In Search of the Castaways. Its unique blend of Jules Verne-inspired settings and hand drawn animation gives it a unique and very effective style. Highly recommended.

Reviewing the Netflix Disney Films: Treasure Planet

Before I start nit-picking, I'd like to make one thing clear: Treasure Planet, Disney's sci-fi/fantasy retelling of Treasure Island, is a beautiful, entertaining film and well worth watching. It contains some of the best animated "acting" ever to appear on screen, and much of its imagery is unforgettable. It's the only family-friendly film one could reasonably file under "Steam-Punk," and it's got more imagination on display in any given five seconds of footage than most of todays sci-fi films have in their entire running length.

There are, however, good reasons the movie didn't connect with a wider audience in its theatrical run.

Reviewing the Netflix Disney Films: Alice in Wonderland

With several great Disney classics readily available to stream on Netflix, there's no better time to take another look at these amazing films. Today Mouse Troop turns its attention to one of the most problematic and interesting films ever to come out of Walt Disney Studios. It has a castle, but no princess, no love story, no battles, no time, no way (except the Queen's way), no mustard in the watch, no oysters for the Carpenter and no tea (ever) for Alice.

Few would deny that Disney’s animated Alice in Wonderland fails on a few levels. It lacks emotion, it’s episodic, the story has no goal…

And yet…

It’s my favorite Disney film. I first saw it on Wonderful World of Color way back during my 1960's childhood (when a chance to see Disney animation was a rare treat), and it haunted my dreams. I think small children can relate to Alice’s fear of being lost, and if you experience this film at a young age, the movie retains a deep-rooted sense of peril that’s lost on those who initially view it as an adult.

Reviewing Disney's Competition: Dreamworks' Rise of the Guardians

Dreamworks has produced two films that make me wish Disney would buy the company just so their amazing fantasy worlds could take form in the parks. The first was the outstanding How to Train Your Dragon. The second, just released, is Rise of the Guardians.

Directed by Peter Ramsey and based on a series of children's novels by William Joyce, the film offers a daring and playful twist on holiday legends. It also continues a welcome trend started by Dragon: another Dreamworks film mercifully free of pop culture jokes and bathroom humor.

The plot in a nutshell: Pitch Black (the Boogeyman) is tired of being ignored while childhood's assigned guardians North (Santa), Bunnymund (Easter Bunny), Tooth (Tooth Fairy) and Sandy (the Sandman) get all the love and attention. Having discovered how to corrupt Sandman's creations into nightmare creatures, Pitch sets out to destroy the Guardians by sabotaging their hard work. If children stop believing, the Guardians lose all their magic and the ability to interact with the human world. The threat is so severe that the Man in the Moon (never seen, but a respected sage to all the legendary characters) selects -- for the first time in centuries -- a new candidate to join the ranks of the Guardians: Jack Frost. But the freewheeling, responsibility-shirking Frost doesn't want to join.

It plays out like a cross between The Avengers and every Rankin/Bass holiday special you ever watched as a child -- and that's exactly why I love this movie. I always enjoy seeing different interpretations of holiday legends, and this one's a lulu.

Disney, of course, has a legacy of creating interesting takes on holiday settings, from the Silly Symphony Santa's Workshop to the Tim Allen Santa Clause trilogy to the terrific Prep & Landing specials. This Dreamworks extravaganza presents an entirely new universe where the Easter Bunny is a six-foot tall boomerang-hurling Australian and the Tooth Fairy commands an army  of hummingbird-like fairies to do her "field work."

Star Trader Shopping: A Tomorrowland Tradition

This animated spacewalking neon Mickey has charmed Tomorrowland night shoppers for decades. With an area overhaul on the drawing boards, now may be a good time to take a fond look at current icons, because -- especially in light of Disney's Lucasfilm purchase -- anything in Tomorrowland could change in the near future. And I have to admit, I've got a soft spot in my heart for The Star Trader shop.

Rare & Retired Characters: Talespin Baloo & Don Karnage

Remember Talespin? It had an odd premise (Jungle Book meets Casablanca with a little bit of Cheers and lot of Jules Verne), but turned out to be a great family adventure series. Its best episodes (anything involving the Sky Pirates, ghosts or thawed-out WWI pilots) are still remembered by fans as some of the most entertaining television Disney's ever produced.

In 1991, Disneyland guests could meet "Higher for Hire" cargo pilot Baloo and sky pirate Don Karnage on Disney Afternoon Avenue, located near It's a Small World. Both character costumes were amazingly well-done.

After meeting the ace pilots, guests could take a ride through Gummi Glen on the re-themed Motorboat cruise, try out the Rescue Ranger Raceway (Fantasyland Autopia) or pose for photos in front in plywood replicas of key locations from Ducktales. Mickey's Toontown was two years away, but Afternoon Avenue served as a very pleasant temporary stand-in.